Which one will you watch on OTT this week? Sukanya Verma gives us her recommendations.
As good as Mammootty is playing Sundaram, we see this facet of his performance through two lenses: That of Sundaram being an offset to whatever we know about James, and that of Mammootty doing quintessentially Tamil tics, including enacting scenes from old Tamil movies like solo plays, observes Rohit Sathish Nair.
Essentially a message movie, Jayeshbhai Jordaar masks its horror in humour to play out like an on-the-run road trip, observes Sukanya Verma.
Thriller, horror, feel-good, rom-com, action, vendetta, biopics -- you name it, you got it on OTT this week.
Sukanya Verma looks at all the wonderful, wacky and woeful ways Bollywood has portrayed blindness on screen.
'Coming out of a burning building with a machine gun in your hand, that is badass because you don't get to do that in real life.'
I hoped the big reveal would make Gaslight's skittish stroll to nowhere (even 112 minutes are too long) worthwhile, but the answers end up being embarrassingly obvious around a twist that's pure hokum, notes Sukanya Verma.
Get your lowdown on what's going on in the world of Hollywood, right here!
'Pink a movie that's assembled especially for that section of prejudice-free Indians who are all on this side of the screen.' 'Look...there's virtuosity staring at you, 24 Frames per Second.' 'Soak it in; more power to the revolution, more wax to the candlelight vigils,' says Sreehari Nair.
Kareena in a Kalimpong murder mystery, Priyanka in a Hollywood rom-com, a South Korean style western and lots, lots more on OTT this week.
Aseem Chhabra picks 10 fascinating films he watched in Macao -- a blend of Asian, independent, Hollywood projects and even a 66-years-old classic Japanese film that still stands the test of time.
Sukanya Verma shows you everything you can catch on OTT this week.
'2016 was the age of convenience for Hindi movies; of down pat effrontery and planned feeling triumphing over attempts to discern something complexly beautiful,' says Sreehari Nair.
Vikram Bhatt's director daughter Krishna wed Vedant Sarda on June 11 in Mumbai.
Satyaprem Ki Katha remains the first choice of theatre audiences even in its second week of release.
A look at the top tweets from your favourite Bollywood celebrities.
Taapsee Pannu talks about how director Lawrence Raghava convinced her to be a part of Kanchana 2.
Joginder Tuteja gives us the half yearly box office report of 2023.
Saif saves Bhoot Police from tedium, observes Namrata Thakker.
Kajal loves horror... Karisma-Kareena in London... Kangana's hunting...
Bhediya is an easy, entertaining watch, raves Sukanya Verma.
'Calmness and stability has come into my life after being married to Vicky Kaushal.'
Sukanya Verma lists everything you can look forward to on OTT this week.
'My mom, dad, sister and husband often yell at me to get off the phone. but I say, let me check this picture for the last time...'
Sports drama, spy thriller, haunted houses and many more films and shows you can catch on OTT this week.
Live Telecast is is probably the worst made horror Web series in recent times, notes Moumita Bhattacharjee.
Chhori is a remake of the Marathi horror hit, Lapachhapi.
'Whatever I have directed has been so far from my world.'
Raashi begins shooting... Mahesh has a new friend... Kunal is under the spotlight...
Sukanya Verma lists her favourite female performers of 2022.
From a galaxy far, far away to apna Bollywood and everything in between, Sukanya Verma shows us there's much to binge on OTT this week.
The series is a follow-up to the classic horror film The Omen.
The series has many flashbacks, detailed and pointless backstories, too much information and needless characters so the unlikely romance is lost underneath the frenzy, observes Deepa Gahlot.
A worn-out fantasy of shallow wisdom and unspectacular effects, perhaps it's time to close the book on the Mowgli legend, feels Sukanya Verma.
Kartik Aaryan looks promising, but the trailer not so much, observes Namrata Thakker.
'Atmospheric scares don't have to come from scenes in graveyards with dogs howling.... I chose to make a horror film because I was sick of this genre being abused by haunted villas, 200-year-old curses and the tacky way these films were being made,' Aatma director Suparn Verma tells Rediff.com's Nishi Tiwari and Sonil Dedhia.
Even those with no knowledge of the inner workings of the media and police, would find Scoop absorbing as a human drama and the story of the resilience of a woman, her family and true friends, applauds Deepa Gahlot.
Is everyone ready for an encore to the horror comedy Stree?
When the post-pandemic audience wants large-scale entertainers, Anubhav Sinha has the courage to make a film that determinedly veers away from escapism, applauds Deepa Gahlot.